After a long hiatus, Brian Osborne from The Photo Classroom is back with a timely topic sharing a few tips for photographing snow scenes. In the video we share some camera settings that you might want to work with specifically for capturing great snow photos.
Below are some examples of how changing the exposure compensation and the white balance can affect the final result of your snow images.
While the exact amount of exposure compensation and white balance adjustment will vary on your particular situation, camera and lighting; working hard at getting well-exposed and accurately-colored images in the winter is important to produceing excellent photographs. Also, as was mentioned in the video, snow images in bright sunny conditions, may or may not need the same exposure and white balance adjustments. However remember that especially in the Charlotte area, any white stuff that does fall does not last long so being out when it is overcast and maybe even snowing is often the best opportunity. Here is hoping for snow in 2021!
In Today’s Photo Minute, Brian Osborne details the main items of camera equipment that you should consider for any travel or landscape photography adventure. While this can vary greatly based of your itinerary of photo opportunities, the amount of gear you can physically carry and what you own; having the key components he will discuss gives you an excellent chance of capturing a wide variety of images.
Before your next photography outing, make a list of the items of gear (camera, lenses, filters, tripod, flash, batteries, memory cards, etc.) that you will need for a successful experience. Figure out not only how you will transport this gear from point A to point B but also how you will carry it around when you are at your location. Thinking about this ahead of time will undoubtedly make you consider what is most important to bring and lessen the chance that something is left at home. If you are going on an extended trip and will be doing what we talk about in the Travel and Landscape Photography class which is carrying two bags on the airplane with you (one that would go in the overhead and one that goes under the seat), list which items should be stored in each bag. Remember that I want all of my must-have equipment in the bag that goes under the seat and then secondary equipment in the roller that goes into the overhead in case the larger bag has to be gate-checked.
If you missed our Travel and Landscape Photography Virtual class, you can email me firstname.lastname@example.org and purchase a recording of the class as well as all the printable materials that came along with it
Many years ago I wrote a blog post called, “Reflections of a Pro Photographer turned Tourist Dad” where I described the equipment and challenges of traveling with family and yet capturing important images. You can download it by clicking here
All of the bags I use for my gear are made by Think Tank Photo. From their rollers to their unique modular system, they make excellent products that I will only trust my camera equipment in. On the Resources page of our website, you can check out helpful documents including our Equipment Recommendation List and Modular Belt System documents describing some of specific Think Tank Photo products we use and why.
In Today’s Photo Minute, Brian discusses that almost as important to great compositions as making sure to have a main subject in your photos, is where you choose to position the subject in the frame. Check out the video for more about the rule of thirds and why it can be the single factor that makes your images more dynamic and interesting. The following examples are a simple illustration of moving the subject out of the center of the frame for impact.
Working on composition is so easy to practice but it requires us to slow down and not concentrate on getting the shot as much as how we design the image that we want to create. Find any subject and make sure that you are clear that there is one main focal point in the photo you plan to capture. Take one image with the subject in the center. Then move the camera around so that the same subject is located at one of the four intersection points if you were to imagine the rule of thirds in your frame. Take this photo and then keep moving the subject to the other three intersection points in the frame capturing a photo of each. Display all five images on the computer screen and see which one you think is the most interesting composition. Doing this intentionally a few more times with different subject matters will really start to instill this important compositional principle in your general photography.
Have you ever taken a photo of a beautiful sunrise or sunset with all those warm hues that we love (like oranges, yellows, reds, etc.) only to find that your resulting image was lackluster at best. Or maybe, you might want to make your average sunset photo look more warm and pleasing? Either way, one of most rewarding concepts, in my opinion, for sunrise/sunset photography is the difference that changing your white balance can make in the camera.
In essence, the mistake most photographers make is to leave their cameras in Auto WB all the time including at the beginning and the end of the day. The problem is that Auto WB allows the camera to adjust the color reproduction and when the scene you are shooting has lots of warm tones in it, the camera thinks that it should make the warmness turn cooler and adds blue back in, often ruining the effect you were going for. Therefore, if you did nothing else, you could use your Daylight/Direct Sun WB setting instead of Auto WB and likely will get a result truer to what you see. However, if this does not reproduce the scene accurately, or if you are like me and you would like to accentuate the effect of the warmth, you have some other options. In terms of using the preset (the WB “modes”) on the camera, going to Cloudy/Overcast adds some warmth and going to Shade adds even more. Or if you would rather use the Kelvin WB control on your camera, the higher you go on your Kelvin temperature, the warmer the image will be. The warmest you can do on most cameras is 10,000 degrees Kelvin. Below you can see examples of all the different WB options I tried on a photo of the sun about 20 mins before sunset last night as well as an image of the color the way it actually was.
Get up early or go out late and try a variety of different white balance settings on your camera of the sunrise or sunset. It is a ton of fun to not only know which setting records it accurately, but to make it into whatever “look” you favor all in the camera.
In this Weekend Edition of Today’s Photo Minute, “Shoot and Share” we have two challenges to go out and shoot as well as share our favorite images with others. The purpose of this is to not only get the camera in our hands but help us to look creatively for things around us that can be made into awesome photographs.
Challenge 1: Food – What a delicious challenge we have this weekend. It is not often you can create some neat images and then enjoy eating it too but this week you can. This challenge can include prepared dishes, fruits, vegetables, etc. and can be shot outside or inside (try by window light if you do not have a flash you can use or enough ambient artificial light). Have fun with this challenge
Challenge 2: Starburst – In one of our last Today’s Photo Minutes, I did a session on Creating a Starburst in Your Photos which you can go back and check out. This can be done with the sun but other point light sources can work as well. A flash pointed at the camera lens, a streetlight, even a bright enough refection off of a shining object (such as a water droplet), can have the same effect when you use the higher range of apertures on your lens. In fact, now would be a great time to try out various high apertures (F16, F22, F32, etc.) on your lens and see if there is a difference in the starburst effect and at what point you might lose some sharpness (due to diffraction).
When you get your images ready by late on Sunday, please share those with the rest of us who are participating as well. If you are on Facebook, please post them as a comment to this particular post. If you are not on Facebook, feel free to email your entries to email@example.com and I will be glad to post them.